We’ve been watching the classics lately- I mean, the real classics, Casablanca, Gone with the Wind, The Razor’s Edge. The more we watch, the more I feel the immensity of the gulf between the classics and modern-day films.
It starts with the length of time the camera stays on a single shot. A whole scene can be played out without the camera cutting to a different angle even once. The characters, dialogue, dramatic tension keep you riveted to the screen. These days, the constant readjustments your eyes have to make to the spastically changing camera angles are enough to throw anyone into an epileptic seizure- even if you don’t have epilepsy. But that’s what holds our attention, the movement, the explosions, the adrenalin. Without these elements, there would be no distractions to protect us from the lack of substance in what we’re watching.
Don’t get me wrong, I like my fluff. The latest superhero flicks are a great way to forget the world and take a ride into adventure. It’s just that there is a serious lack of movies with meaning, ones you can discuss for hours, ones that cause you to reflect on your own life, your own character, and perhaps even make a real life change.
When I look back at my time here on earth, I want to see moments where I did something meaningful, something that really mattered. I wished that more movie makers would want the same.
A concealed black spot taints her otherwise charming personality. It’s the scar left from a few short years spent outside of the regular flow of society. How could something like that not leave its mark?
She does well, though, smiling, engaging in conversation, moving forward in her life. As long as no one probes too deeply, her new life remains intact. It’s the eye contact that lasts too long, or the question that reaches too far into the past that cause her to check the time, make an excuse, and find the nearest exit. Nausea, the heightened sensitivity to light and noise, and the crash of her heartbeat follow.
This is what fugitives must feel like, she thinks. And she knows that she indeed is one- a fugitive from her own mind.
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